Tuesday, June 20, 2006

Life Just Got a Little Better

Sharon's grandma left her a small sum of money-just under $1000-when she died. Sharon invested it with the idea that she wanted to grow it (and presumably add to it) until she could buy something that would be a "family legacy," or something that would honor her grandma's memory. Well, the mutual fund totally tanked after 9-11 (lost nearly half its value), and it's taken the last five years for the fund to get back to its original value. Over that time, as expenses have built (mainly expenses related to a growing family) we've become aware that we're not likely to find ourselves in a situation where we're doing much other than living check to check. So this $1000 is not suddenly and/or easily going to turn into $50,000 or $100,000. So...re-evaluate.

Sharon took years and years of piano lessons, growing up. I took a few years and, of course, paino was the first instrument I played as a songwriter. A remarkable, elegant instrument, it is. And now we have an entire family of music lovers with a small potential piano player and another one on the way. With a little encouragement by me, Sharon saw the light and realized that a piano would be a way that we could enrich our lives as a result of the the money her grandma bequeathed us. Well, that money plus a short-lived 403b retirement plan Sharon started investing in at her work. She had accumulated all of about $400 before we decided to both jump onto the back of the retirement investment plan at my work, which includes a matching percentage from Big Buy. So, after taxes, add another $320 to the pot.

Last night, we headed out to make the purchase we had been scoping out for a few weeks: a Yamaha digital piano (the P-140, if it matters to you).

Digital piano craft (at least in this price range) has increased to the point where the keys are now weighted (like a real piano, so it doesn't feel like you're hitting air, like with your old Casio), graded (the lower keys are heavier), and have hammer action (the keys snap back at you, as they would if they were really striking a string in the soundboard). Add to that the fact the sampling is done from a real grand piano and the net effect is that you're getting an amazing, exceptional instrument that never needs tuned at a very reasonable price. It may not have the all encompassing richness and echo of a real grand piano, but considering a real quality grand piano could cost easily in excess of $25K, it's hard to knock going this route. Especially since the digital route adds a few pratical dimensions such as portability, MIDI functionality (a way to digitally synch up recording), and a headphone jack (so we can play long and loud into the night and not wake Lucy). In short, the piano is frigging awesome.

Sharon really resists most new purchases, simply from a non-consumerist standpoint that I admire and respect and, at least in theory, share. But I remember a statement she once made when we were first dating, "You're never wasting money if you're buying anything music related" and I remind her of it often.

12 comments:

Pat said...

Super cool.

That makes you Archie Bunker I think.

'Those were the days...."

Stephen Cummings said...

Or Archie Bunker crossed with Thomas Dolby.

Dan said...

eek-I'll take neither. Though we will probably have family singalongs (per Bunkers) as well as recording sessions (per Dolby). One feature that Sharon doesn't care about that I'm particularly jazzed about is the electric piano sound (ala mid-1970s Paul Simon, Elton John, 40cc-the "round sound"). Not sure how or when I'll be able to incorporate that into my own recordings, but it will be fun to diddle.

Pat said...

Always fun to diddle.

'She blinded me with bigotry'

Dan said...

Huh? Oh-Archie Bunker reference...

Stephen Cummings said...

"Those were the science-s...." Er, something like that.

Intriguing you mentioned that keyboard sound. Maybe my memory doesn't serve, but I think you were vocal about not liking different types of electric-sounding keyboards from back in the day.

Dan said...

How would you reconcile that memory with the memory of me liking J-J-J-J-Journey?

Actually, I've never been a big 80s keyboard guy, now or ever.

#1: nevertheless, much has changed since "back in the day"
#2: 80s keyboards DID suck, but 70s electric piano-TOTALLY different ballgame.

Stephen Cummings said...

While '80s time-wise, the Fabulous Thunderbirds used an organ in "Wrap it Up" that exemplifies the kind of keyboard sound I'm thinking of.

Dan said...

No-that's a Hammond organ style. Yuck, in my opinion, in popular music.

Think the electric piano used in Paul Simon's "Still Crazy After All These Years." That's the smooth, delectable sound I seek.

Stephen Cummings said...

I've always had a certain reverence for the Hammond organ sound, but only in certain examples in pop music. The sound comes up in Otis Redding's songs, which I love.

"Still Crazy" is one of the greatest songs of all time, I believe. It certainly evokes an early-morning New York feel. Not that I've ever been there and would have any connection to that. It's just the image I get.

Pat said...

Dan is going for the smooth jazz electric piano sound.

The "we could make this sound like a piano, but do not want to" piano sound.

Dan said...

Stephen: well, that sound you hear in the song is my beloved "round sound." Round sound you will also hear in E. John's Little Jeanie, McCartney's My Love, and Little River Band's Reminiscing (among many many other songs of that era), all of which you may not like, but all of which I dig to no end.

Mixdorf: indeed, a big "fuck you" foot to the face of those that would wish for it to be a regular acoustic piano.